Walt Whitman born May 31, 1819

[Jack Rabbit]

The Bard of Democracy



Walt Whitman am I, a Kosmos, of mighty Manhattan the son,
Turbulent, fleshy and sensual, eating, drinking and breeding;
No sentimentalist—no stander above men and women, or apart from them;
No more modest than immodest.

Unscrew the locks from the doors!
Unscrew the doors themselves from their jambs!

Whoever degrades another degrades me;
And whatever is done or said returns at last to me.

Through me the afflatus surging and surging—through me the current and index.

I speak the pass-word primeval—I give the sign of democracy;
By God! I will accept nothing which all cannot have their counterpart of on the same terms.

-- Leaves of Grass, "Song of Myself", sec. 24

Illustration from the University of Illinois

[Imperialism Inc.]

1. Happy Birthday Walt

I depart as air, I shake my white locks at the runaway sun,
I effuse my flesh in eddies, and drift it in lacy jags.

I bequeath myself to the dirt to grow from the grass I love,
If you want me again look for me under your boot-soles.

You will hardly know who I am or what I mean,
But I shall be good health to you nevertheless,
And filter and fibre your blood.

Failing to fetch me at first keep encouraged,
Missing me one place search another,
I stop somewhere waiting for you.

[WHAT]

2. A Hand-Mirror...

Hold it up sternly--see this it sends back, (who is it? is it you?)
Outside fair costume, within ashes and filth,
No more a flashing eye, no more a sonorous voice or springy step,
Now some slave's eye, voice, hands, step,
A drunkard's breath, unwholesome eater's face, venerealee's flesh,
Lung's rotting away piecemeal, stomach sour and cankerous,
Joints rheumatic, bowels clogged with abomination,
Blood circulating dark and poisonous streams,
Words babble, hearing and touch callous,
No brain, no heart left, no magnetism of sex;
Such from one look in this looking-glass ere you go hence,
Such a result so soon--and from such a beginning!

[WHAT]

3. Song of the Open Road...

4

the earth expanding right hand and left hand,
The picture alive, every part in its best light,
The music falling in where it is wanted, and stopping where it
is not wanted,
The cheerful voice of the public road, the gay fresh sentiment
of the road.

O highway I travel, do you say to me Do not leave me? Do you say Venture not__if you leave me you are lost?
Do you say I am already prepared, I am well-beaten and undenied,
adhere to me?

O public road, I say back I am not afraid to leave you, yet I
love you,
You express me better than I can express myself,
You shall be more to me than my poem.

I think heroic deeds were all conceiv'd in the open air, and
all free poems also,

I think I could stop here myself and do miracles,
I think whatever I shall meet on the road I shall like, and whoever
beholds me shall like me,
I think whoever I see must be happy.

[vajraroshana]

4. Great American

Great poetry.

[WHAT]

5. Salut Au Monde...(4) What do you see Walt Whitman?

Who are they you salute, and that one after another salute you?

I see a great round wonder rolling through space,
I see diminute farms, hamlets, ruins, graveyards, jails, factories,
palaces, hovels, huts of barbarians, tents of nomads upon
the surface,
I see the shaded part on one side where the sleepers are
sleeping, and the sunlit part on the other side,
I see the curious rapid change of the light and shade,
I see distant lands, as real and near to the inhabitants of them
as my land is to me.

geeze....i love this american

[WHAT]

6. one last kick...from Children of Adam...

To the Garden of the World

To the garden the world anew ascending,
Potent mates, daughters, sons, preluding,
The love, the life of their bodies, meaning and being,
Curious here behold my resurrection after slumber,
The revolving cycles in their wide sweep having brought me again,
Amorous, mature, all beautiful to me, all wondrous,
My limbs and the quivering fire that ever plays through them,
for reasons, most wondrous,
Existing I peer and penetrate still,
Content with the present, content with the past,
By my side or back of me Eve following,
Or in front, and I following her just the same.

I'll have to bring this up again tomorrow...

[Jack Rabbit]

7. Kick

A child said, What is the grass? fetching it to me with full hands;
How could I answer the child? I do not know what it is, any more than he.

I guess it must be the flag of my disposition, out of hopeful green stuff woven.

Or I guess it is the handkerchief of the Lord,
A scented gift and remembrancer, designedly dropt,
Bearing the owner’s name someway in the corners, that we may see and remark, and say, Whose?

Or I guess the grass is itself a child, the produced babe of the vegetation.

Or I guess it is a uniform hieroglyphic;
And it means, Sprouting alike in broad zones and narrow zones,
Growing among black folks as among white;
Kanuck, Tuckahoe, Congressman, Cuff, I give them the same, I receive them the same.

And now it seems to me the beautiful uncut hair of graves.

Tenderly will I use you, curling grass;
It may be you transpire from the breasts of young men;
It may be if I had known them I would have loved them;
It may be you are from old people, and from women, and from offspring taken soon out of their mothers’ laps;
And here you are the mothers’ laps.

This grass is very dark to be from the white heads of old mothers;
Darker than the colorless beards of old men;
Dark to come from under the faint red roofs of mouths.

O I perceive after all so many uttering tongues!
And I perceive they do not come from the roofs of mouths for nothing.

I wish I could translate the hints about the dead young men and women,
And the hints about old men and mothers, and the offspring taken soon out of their laps.

What do you think has become of the young and old men?
And what do you think has become of the women and children?

They are alive and well somewhere;
The smallest sprout shows there is really no death;
And if ever there was, it led forward life, and does not wait at the end to arrest it,
And ceas’d the moment life appear’d.

All goes onward and outward—nothing collapses;
And to die is different from what any one supposed, and luckier.

-- Leaves of Grass, "Song of Myself" (sec. 6)

[Jack Rabbit]

8. Allen Ginsberg: Supermarket in California (Berkeley, 1955)

What thoughts I have of you tonight, Walt Whitman, for
I walked down the sidestreets under the trees with a headache
self-conscious looking at the full moon.
In my hungry fatigue, and shopping for images, I went
into the neon fruit supermarket, dreaming of your enumerations!
What peaches and what penumbras! Whole families
shopping at night! Aisles full of husbands! Wives in the
avocados, babies in the tomatoes!--and you, Garcia Lorca, what
were you doing down by the watermelons?

I saw you, Walt Whitman, childless, lonely old grubber,
poking among the meats in the refrigerator and eyeing the grocery
boys.
I heard you asking questions of each: Who killed the
pork chops? What price bananas? Are you my Angel?
I wandered in and out of the brilliant stacks of cans
following you, and followed in my imagination by the store
detective.
We strode down the open corridors together in our
solitary fancy tasting artichokes, possessing every frozen
delicacy, and never passing the cashier.

Where are we going, Walt Whitman? The doors close in
an hour. Which way does your beard point tonight?
(I touch your book and dream of our odyssey in the
supermarket and feel absurd.)
Will we walk all night through solitary streets? The
trees add shade to shade, lights out in the houses, we'll both be
lonely.

Will we stroll dreaming of the lost America of love
past blue automobiles in driveways, home to our silent cottage?
Ah, dear father, graybeard, lonely old courage-teacher,
what America did you have when Charon quit poling his ferry and
you got out on a smoking bank and stood watching the boat
disappear on the black waters of Lethe?

[WHAT]

9. Laws for Creation

Laws for creation,
For strong artists and leaders, for fresh broods of teachers and
perfect literats for America
For noble savans and coming musicians.

All must have reference to the ensemble of the world, and the
compact truth of the world,
There shall be no subject too pronounced--all works shall
illustrate the divine rule of indirections.

What do you suppose creation is?
What do you suppose will satisfy the soul, except to walk free
and own no superior?
What do you suppose I would intimate to you in a hundred
ways, but that man or woman is as good as God?
And that there is no God any more divine than Yourself?
And that that is what the oldest and newest myths finally mean?
And that you or any one must approach creations through such
laws?