NY Times: "Show Me The Money."

[muntrv]

Op-Ed Columnist
Show Me the Money


By THOMAS L. FRIEDMAN
Published: November 9, 2008

So, I was speaking to an Iranian friend about what a mind-bending thing it must be for people in the Middle East to see Americans, seven years after 9/11, electing someone named Barack Hussein Obama as president. America is surely the only nation that could — in the same decade — go to war against a president named Hussein (Saddam of Iraq), threaten to use force against a country whose most revered religious martyr is named Hussein (Iran) and then elect its own president who’s middle-named Hussein.

Is this a great country or what?

Much has been written about how people all around the world are celebrating the victory of our Hussein — Barack of Illinois, whose first name means “blessing” in Arabic. It is, indeed, a blessing that so many people in so many places see something of themselves reflected in Obama, whether in the color of his skin, the religion of his father, his African heritage, his being raised by a single mother or his childhood of poverty. And that ensures that Obama will probably have a longer than usual honeymoon with the world.

But I wouldn’t exaggerate it. The minute Obama has to exercise U.S. military power somewhere in the world, you can be sure that he will get blowback. For now, though, his biography, demeanor and willingness to at least test a regime like Iran’s with diplomacy makes him more difficult to demonize than George W. Bush and Dick Cheney.

“If you’re a hard-liner in Tehran, a U.S. president who wants to talk to you presents more of a quandary than a U.S. president who wants to confront you,” remarked Karim Sadjadpour, an Iran expert at the Carnegie Endowment. “How are you going to implore crowds to chant ‘Death to Barack Hussein Obama’? That sounds more like the chant of the oppressor, not the victim. Obama just doesn’t fit the radical Islamist narrative of a racist, blood-thirsty America, which is bent on oppressing Muslims worldwide. There’s a cognitive dissonance. It’s like Hollywood casting Sidney Poitier to play Charles Manson. It just doesn’t fit.”

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