He objected to his own policies because he blew with the conservative base and the Right's intelligentsia. Both have worked toward the solidifying of a christofascist nation with all the trappings of women's subservience:
from a critical New Republic blog
https://newrepublic.com/article/169050/masters-vance-weird-right-republicans
Perhaps the most pernicious element of right-wing weirdness occurs at the intersection of standard traditionalist opposition to equal gender roles and an online youth subculture that has sought to make women’s disempowerment trendy. The idea of the “trad wife”—women who embrace subservient roles as homemakers and mothers, eschewing political leadership and careers—stands, like many of the weird right’s shibboleths, at the crossroads of internet meme, sociological critique, and political program. Trad wives are a pastiche of the idyll of the 1950s housewife and the imagined premodern agrarian mother, realities that only fully existed in advertisements and storybooks. They usually espouse complete submissiveness to husbands and a totalizing dedication to raising children.
By removing women from the labor market and circumscribing women’s social roles, the movement offers the illusion of sanctuary from modern woes and economic demands. It goes beyond simply reacting to perceived leftist excesses and embraces a sociopolitical program that would, if enacted, essentially remove the ability of American women to determine the course of their own lives—making them, once again, primarily subservient to and dependent upon male breadwinners. Millions of Americans are stay-at-home parents; most would likely be ill suited to the trad wife’s world. The aesthetics of trad wives are intertwined with darker impulses on the activist right toward a state that legally mandates specific gender roles—a form of recontainment that traps women in marriages and bars them from basic autonomy and self-sufficiency.
Women’s and reproductive rights are areas where meme-infused weirdness and actual policy align to set the right against most American voters. When right-wing writers like National Review’s Nate Hochman argue that no-fault divorce was “a tragic mistake” (a view shared by numerous other far-right figures), he is not only embracing a position outside the bounds of conventional American life but one that is deeply politically unpopular, opposed by at least four-fifths of Americans. The activist right’s legal alternative is “covenant marriage,” which allows divorce only under extreme circumstances like felony conviction or child abuse. Covenant marriage has recently made its way into the Texas Republican Party’s official platform as a replacement for existing marriage law.
Trad wife aesthetics are partly a result of right-wing influencers’ embrace of traditionalist religious attitudes. The embrace of traditionalist Catholicism and the rise of integralists like Harvard Law School professor Adrian Vermeule—who espouses a quasi-theocracy that even the conservative stalwart George Will has said is “un-American”—are critical pieces of the aesthetic and moral revanchism now in vogue on the right.
The growing fascination with Catholicism—particularly sedevacantism, which denies the current pope’s legitimacy—is, according to one critic, indicative of the educated and activist right’s “admiration for the [European] aristocratic past” and a longing for a new elite to which it feels it belongs. This segment of the right has, both programmatically and aesthetically, lost interest in conserving that which is American and moved on to mine its influences from stranger sources. Constitutionalism, Enlightenment rationality, religious freedom, and republicanism are out. European aristocracy, crusading holy orders, and mysticism are in. Mr. West may still make the usual overtures to Americana in press releases, but the Knights Templar (so far as I know) never made it to Texas.
That idealization of the European right has led not just to the fetishization of historical monarchism—cheerled by figures like the reactionary thinker Curtis Yarvin—but to more immediate fascination with contemporary autocrats, especially Prime Minister Viktor Orbán of Hungary and President Vladimir Putin of Russia.
One such admirer is Nick Fuentes, a prominent activist among college Republicans and also a white supremacist and antisemite who has become cozy with some congressional Republicans. Fuentes has praised Putin’s invasion of Ukraine. “We continue to support czar Putin in the war effort,” Fuentes said, saying Putin would “liberate Ukraine from the Great Satan and from the evil empire in the world, which is the United States.” In this narrative, Putin’s invasion is a component of a broader war against American influence and democratic values—a goal shared by Orbán’s government, which has promoted “illiberal democracy,” decried “race-mixing,” crushed freedom of speech, and curtailed LGBTQ rights. Naturally, the Conservative Political Action Conference was held in Hungary earlier this year.
Among Americans more generally, the right-wing embrace of Putin is dismally unpopular: Just 6 percent U.S. adults have a positive opinion of the Russian president, the Pew Research Center found this year. Meanwhile, the “MAGACommunism” movement has combined American nationalism with praise for another authoritarian leader despised by most Americans, China’s Xi Jinping.
Alienating mainstream voters by embracing fringe values and off-putting aesthetics is not a new folly—on the left or the right. In the early twentieth century, French voters regularly elected left-leaning governments despite numerous crises that beset the nation. One socialist essayist, Charles Péguy, argued that the right was actually “far less conservative” than the left—while the right pushed radical transformation, reorganizing France around the Catholic Church and reestablishing a powerful monarchy, the left—in Péguy’s view—sought to preserve hard-fought but deeply held French values like the separation of church and state, equitable citizenship, and republican liberty.
In the U.S., the “cultural left” of the late twentieth century managed to alienate many voters through its pessimistic belief that America could not be reformed by material policy, only transformed through a shift in social consciousness. As the philosopher Richard Rorty wrote in Achieving Our Country, while a reformist left gained popularity with a multiracial, multiclass electoral coalition in the early twentieth century by painting an optimistic image of what America could be, the later—educated and mostly well-off—“cultural left” chose as its enemy “a mind-set rather than a set of economic arrangements,” removing itself from what voters actually cared about and instead defining itself by its cultural consumption and outlandish aesthetic preferences. The cultural left saw material political conditions as a downstream afterthought from culture and so tacitly abandoned both politics and culture—and got weird. The decades of backlash, from Richard Nixon to Ronald Reagan to George W. Bush, were inevitable.
While many Republicans are embracing the fringe cultural positions emerging from this radical and elite milieu, pushing the view that America is a degenerate society that cannot be saved, elements of the left may have learned their lesson ... some Democratic Socialists of America chapters have become more involved in recent unionization drives, fights for workers’ rights, and campaigns against monopolistic corporate power. It’s a focus not on posting but on materially supporting the working class—and embracing core American values to do it.
The right is learning the opposite lesson. Far-right YouTuber Paul Joseph Watson suggested in 2020 that the right is “the new punk rock.” But that may not be to the right wing’s electoral advantage. Subcultures, by their very nature, exclude or look down on the bulk of the public and tend not to win electoral power, a lesson the left learned the hard way. Far-right billionaires can pump money into New York film festivals and sceney parties, but in doing so, they are unlearning the language of American majoritarian values. Even as the left—in fits and starts—relearns normalcy, the right is abandoning it.
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