Oh, hi there! Welcome back to your Friday Afternoon Challenge: Scene Stealers!
Here is your virtual “walking tour” to sites that were immortalized in very famous paintings by their artists. These photos show the same site (as near to the artist’s viewpoint as possible) today. Can you identify these sites, the works and the artists?
And, as always, we do not cheat here...
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= new reply since forum marked as read
See... you probably don't want Dean Cornwell!
Is #6 el greco. I assume it's toledo.
(If I had googled the spelling it would have brought up a picture of this, and that would be cheating... hence the appalling spelling. Having looked up the name of this picture I probably know know which painting you want, but via cheating, and will not speak to that.)
I was thinking of this one bacuse I've seen it so often (in the National Gallery) and it's famous for using Toledo as the backdrop for a classical subject, but I assume it's a different el Greco, that matches the photo, since this Toledo isn't lined up the same way
Shows what a dunce I am when it comes to art! 
I think yours is the one that depicts the restaurant's owner, with whom some said Van Gogh had an affair.
And nobody beats me for the title of Art Dunce here. 
And my wife in front of the Leaning Tower of Delft:
Full Fathom Five, by Jackson Pollock?
It must be, though my memories of the walk are a bit overwhelmed by the shock of walking into traffic at the end of it. And that's when we turned around to go back into the garden and just sit.
I'm not sure of which painting this would be. There is one by Manet which I know of only because of a Friday Challenge some months ago. It was an early painting by Picasso as it turned out, but it reminded me of Manet even though it had to have been painted long after. That set me off on a three hour query about how the impressionists, especially Manet, had influenced the artists 30 to 50 years later.
I never did answer that quiz. But see there, you never know what influence you have.
ETA, here's the painting I was thinking of, Music of the Tuileries.
I couldn't understand the point he was trying to make with this: dark and broody foliage, with an unreal, almost oppressive, density of people. Of course, it might not even be the painting you had in mind.
In fact, before today I knew little of either of them. As a good teacher you've left a trail of shinny objects. I can't resist.
With little art history background, I was looking more at the social, sociological, and historical content. The path to Vuillard came only from looking at more images of the garden. Here are two that have stayed with me today:
The first is by Albert Edelfelt.
Pariisin Luxembourgin puistossa
This was the Luxembourg Garden, painted in 1887. It's more literal, but it's also socially complex. It's of a time and place, and the people portrayed are connected to it even more so than in the Manet.
And there is the intriguing work by Vuillard. It could be a mother-daughter or any two women, women who do not belong in any garden, and the social interaction is mostly limited to controlling the unoccupied chair. I would not ask to use it.
In the Tuileries Gardens
So I must learn more of Vuillard. Well, he was nothing if not prolific. And, with some exceptions, that same kind of disengagement and anonymity he portrayed in this painting doesn't extend to his scenes of private spaces. That's all I meant by the phrase.
If anything, now late in the day, the painting seems to be a prophetic indictment of the self-absorbed consumer. That, and I'm still getting a giggle out of the sash that's carelessly draped to the ground. Maybe I'm wrong, maybe it's just an awkward little girl with an overbearing mother, but it seems like the 19th century Parisian equivalent of painting someone with toilet paper stuck to their shoe. That might mean there are touches of humor in his other works.
Here's another. I just can't help myself today.
