Guess Whos Coming to Peanuts
'Is this your beach ball?” These were the first words spoken by Franklin, addressing Charlie Brown as the latter stared glumly out to sea. And this is how Charles M. Schulz integrated his comic strip, “Peanuts,” on July 31, 1968. Franklin’s initial three-strip arc unfolded quietly and gently, with the boys building a sand castle together while chatting.
Franklin stayed quiet and gentle, taking his place in the “Peanuts” gang as a steady but low-key presence over the next three decades — sometimes to the chagrin of African-Americans who found him to be anodyne at best and a token at worst. In a 1992 “Saturday Night Live” routine, Chris Rock complained, comically but pointedly, that Mr. Schulz had deprived Franklin of the kind of signature traits he had assigned the other “Peanuts” kids.
“Linus got the blanket, Lucy’s a bitch, Schroeder plays the piano, Peppermint Patty’s a lesbian,” Mr. Rock said. “Everybody got their thing except Franklin! Give him something! Damn, give him a Jamaican accent!”
Yet Franklin’s careful rollout and nice-guy equanimity were very much by design, as “50 Years of Franklin,” a new exhibition at the Charles M. Schulz Museum, in Santa Rosa, Calif., reveals. The exhibition opens this weekend in conjunction with the observance of Martin Luther King Jr.’s Birthday on Monday.
Dr. King’s assassination, on April 4, 1968, played a direct role in Franklin’s creation. Eleven days later, a Southern Californian named Harriet Glickman wrote to Mr. Schulz, introducing herself as “the mother of three children and a deeply concerned and active citizen.” In her grief, Ms. Glickman explained, she had been pondering “the areas of the mass media which are of tremendous importance in shaping the unconscious attitudes of our kids.” She then proposed an idea: “the introduction of Negro children into the group of Schulz characters.”'>>>
https://www.nytimes.com/2018/01/13/opinion/sunday/peanuts-franklin-charlie-brown.html?
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