The DU Lounge
Related: Culture Forums, Support ForumsSouthern Rock
Look, I'm from California (obviously)
But Southern Rock has always had a place in my heart
"I Ain't the One" has some amazing studio effects for the time, and the guitar is just pure bliss
But other than Lynyrd Skynyrd, Allman Bros, The Outlaws, Marshall Tucker, Moses Guest, Mountain -- what have you got?
And don't say "Kid Rock" because he's just a talentless GOP hack
RFCalifornia
(440 posts)The "Saturday Night Special" era if you know what I mean, and I think you do
walkingman
(7,583 posts)I also liked the Nitty, Gritty, Dirt Band.
RFCalifornia
(440 posts)GPV
(72,377 posts)griffi94
(3,733 posts)griffi94
(3,733 posts)Blackfoot. Cowboy. Molly Hatchet. Doc Holliday.
Here's a link to Doc Holliday.
Lochloosa
(16,061 posts)Warren Haynes band...Gov't Mule
Derek Trucks slide will blow you away
nature-lover
(1,466 posts)blm
(113,015 posts)Mothers Finest.
Lochloosa
(16,061 posts)blm
(113,015 posts)playing with his dad. Greenville family friends.
Lochloosa
(16,061 posts)Nice connection. You must hear some great music.
blm
(113,015 posts)when our visits to Greeenville coincided with a gig.
But, Ive been around a lot of great music, writers, and musicians over the years. When I lived in LA I put together celebrity events for an industry based charity.
Ive lived in the Carolinas the last 22years. The last great concert I saw was Calexico with Iron and Wine in Asheville. Month before Covid.
Lochloosa
(16,061 posts)Lochloosa
(16,061 posts)AZSkiffyGeek
(10,972 posts)Warren Haynes from the Mule is one of my favorite guitarists. Played with the Allmans and the Dead.
DBTs Southern Rock Opera is a wonderful love letter to Skynyrd, and their albums with Jason Isbell are even better.
TomSlick
(11,088 posts)[link:
|Harker
(13,985 posts)I still can't quite get over those pants.
TomSlick
(11,088 posts)I have no pictures of me from the era where visitors can see them.
Harker
(13,985 posts)Just quit being a longhair a year ago.
TomSlick
(11,088 posts)I've not been tempted to go back since Uncle lost interest in my appearance.
I should have wised up a lot sooner.
argyl
(3,064 posts)Brother Buzz
(36,385 posts)played shuch a huge role in introducing the nation to Southern Rock
RFCalifornia
(440 posts)Brother Buzz
(36,385 posts)One could make the argument Fogerty and CCR was to Southern Rock as Merle Haggard and Buck Owens was to Country music
I always loved Fogerty's hat tip to Buck Owens in the song, Lookin' Out My Back Door ...
Dinosaur Victrola, listenin' to Buck Owens
Doo, doo, doo, lookin' out my back door
LeftInTX
(25,143 posts)But Southern Rock would not have existed if it wasn't for British based electric rock/hard rock which was based on US Blues...
Kinda what goes around comes around...
It's funny how the blues didn't resonate with the mainstream US, and then the Brits came in and created this amped up edgy sound, which teens really went for. House of the Rising Sun by the Animals (based on a southern folk/blues song) is an early example.
In the 1960s, American and British blues and rock bands began to modify rock and roll by adding harder sounds, heavier guitar riffs, bombastic drumming, and louder vocals, from electric blues.[11] Early forms of hard rock can be heard in the work of Chicago blues musicians Elmore James, Muddy Waters, and Howlin' Wolf,[16] the Kingsmen's version of "Louie Louie" (1963) which made it a garage rock standard,[17] and the songs of rhythm and blues influenced British Invasion acts,[18] including "You Really Got Me" by the Kinks (1964),[19] "My Generation" by the Who (1965),[5] "Shapes of Things" (1966) by the Yardbirds, "Inside Looking Out" (1966) by the Animals, "Twist and Shout" by The Beatles, and "I Can't Get No) Satisfaction" (1965) by the Rolling Stones.[20] From the late 1960s, it became common to divide mainstream rock music that emerged from psychedelia into soft and hard rock.[citation needed] Soft rock was often derived from folk rock, using acoustic instruments and putting more emphasis on melody and harmonies.[21] In contrast, hard rock was most often derived from blues rock and was played louder and with more intensity.[5]
Blues rock acts that pioneered the sound included Cream, the Jimi Hendrix Experience, and the Jeff Beck Group.[5] Cream, in songs like "I Feel Free" (1966) combined blues rock with pop and psychedelia, particularly in the riffs and guitar solos of Eric Clapton.[22] Cream's best known-song, "Sunshine of Your Love" (1967), is sometimes considered to be the culmination of the British adaptation of blues into rock and a direct precursor of Led Zepplin's style of hard rock and heavy metal.[23] Jimi Hendrix produced a form of blues-influenced psychedelic rock, which combined elements of jazz, blues and rock and roll.[24] From 1967 Jeff Beck brought lead guitar to new heights of technical virtuosity and moved blues rock in the direction of heavy rock with his band, the Jeff Beck Group.[25] Dave Davies of the Kinks, Keith Richards of the Rolling Stones, Pete Townshend of the Who, Hendrix, Clapton and Beck all pioneered the use of new guitar effects like phasing, feedback and distortion.[26] The Beatles began producing songs in the new hard rock style beginning with their 1968 double album The Beatles (also known as the White Album) and, with the track "Helter Skelter", attempted to create a greater level of noise than the Who.[27] Stephen Thomas Erlewine of AllMusic has referred to the "proto-metal roar" of "Helter Skelter",[28] while Ian MacDonald called it "ridiculous, with McCartney shrieking weedily against a massively tape-echoed backdrop of out-of-tune thrashing".[27]
https://en.wikipedia.org/wiki/Hard_rock
Whole Lotta Love was based on this: