Welcome to DU! The truly grassroots left-of-center political community where regular people, not algorithms, drive the discussions and set the standards. Join the community: Create a free account Support DU (and get rid of ads!): Become a Star Member Latest Breaking News General Discussion The DU Lounge All Forums Issue Forums Culture Forums Alliance Forums Region Forums Support Forums Help & Search
4 replies = new reply since forum marked as read
Highlight: NoneDon't highlight anything 5 newestHighlight 5 most recent replies
Does this 1953 song sound familiar? (Original Post) Bucky Mar 2016 OP
Perhaps you need a visit from Skittles.. denbot Mar 2016 #1
there's some chance the 1953 version isn't the original either Enrique Mar 2016 #2
Parts have been borrowed multiple ways Thor_MN Mar 2016 #3
Seems a lot of blues songs get adopted, and adapted etc progressoid Mar 2016 #4
 

Thor_MN

(11,843 posts)
3. Parts have been borrowed multiple ways
Wed Mar 16, 2016, 10:16 PM
Mar 2016

"Crescent City Blues" is a song written by composer Gordon Jenkins and sung by Beverly Mahr, and released on his Seven Dreams album in 1953. It is a torch song about a lonely woman hoping to leave the Midwestern town of Crescent City. Its melody is borrowed heavily from the 1930s instrumental "Crescent City Blues" by Little Brother Montgomery. It is most notable for having been adapted by singer Johnny Cash as the "Folsom Prison Blues."

https://en.wikipedia.org/wiki/Crescent_City_Blues

progressoid

(49,952 posts)
4. Seems a lot of blues songs get adopted, and adapted etc
Thu Mar 17, 2016, 12:00 AM
Mar 2016

Baby, Please Don't Go" is a blues song which has been called "one of the most played, arranged, and rearranged pieces in blues history" by music historian Gerard Herzhaft.[1] It was likely an adaptation of "Long John", an old folk theme dating back to slavery in the United States. Delta blues musician Big Joe Williams popularized it with several versions beginning in 1935. The song's roots have been traced back to nineteenth-century American songs which deal with themes of bondage and imprisonment. "Baby, Please Don't Go" became an early blues standard with recordings by several blues musicians, such as Papa Charlie McCoy, Leonard "Baby Doo" Caston, Lightnin' Hopkins, John Lee Hooker and Big Bill Broonzy.

After World War II, Chicago blues and rhythm and blues artists adapted the song to newer music styles. In 1952, a doo-wop version by the Orioles reached the top ten on the race records chart. In 1953, Muddy Waters recorded the song as an electric Chicago-ensemble blues piece, which influenced many subsequent renditions.

In the 1960s, "Baby, Please Don't Go" became a popular rock song after the Northern Irish group Them recorded it in 1964. Several music writers have identified Jimmy Page, a studio guitarist at the time, as participating in the recording, although his exact contributions are unclear. Subsequently, Them's uptempo rock arrangement has become a rock standard. "Baby, Please Don't Go" has been inducted into both the Blues and Rock and Roll Halls of Fame.

https://en.wikipedia.org/wiki/Baby,_Please_Don't_Go

Latest Discussions»The DU Lounge»Does this 1953 song sound...