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Music Appreciation
Related: About this forumCry Me a River --- Julie London -vs- Ella Fitzgerald -vs- Dinah Washington
"Cry Me a River" is a popular American torch song, written by Arthur Hamilton, first published in 1953 and made famous in 1955 with the version by Julie London.
Arthur Hamilton later said of the song: "I had never heard the phrase. I just liked the combination of words... Instead of 'Eat your heart out' or 'I'll get even with you,' it sounded like a good, smart retort to somebody who had hurt your feelings or broken your heart." He was initially concerned that listeners would hear a reference to the Crimea, rather than "..cry me a...", but said that "..sitting down and playing the melody and coming up with lyrics made it a nonissue."[1]
A jazzy blues ballad, "Cry Me a River" was originally written for Ella Fitzgerald to sing in the 1920s-set film, Pete Kelly's Blues (released 1955), but the song was dropped. Fitzgerald first released a recording of the song on Clap Hands, Here Comes Charlie! in 1961. The song was also offered to Peggy King, but Columbia Records A&R chief Mitch Miller objected to the word "plebeian" in the lyric[2] and its first release was by actress/singer Julie London on Liberty Records in 1955, backed by Barney Kessel on guitar and Ray Leatherwood on bass. A performance of the song by London in the 1956 film The Girl Can't Help It helped to make it a bestseller (reaching no. 9 on US and no. 22 on UK charts). It became a gold record, and in 2016, it was inducted by the Library of Congress in the National Recording Registry.[3]
Other recordings include a version by Shirley Bassey on her third album, The Fabulous Shirley Bassey, her debut for Columbia in 1959; Dinah Washington on What A Diff'rence A Day Makes! also in 1959;
Arthur Hamilton later said of the song: "I had never heard the phrase. I just liked the combination of words... Instead of 'Eat your heart out' or 'I'll get even with you,' it sounded like a good, smart retort to somebody who had hurt your feelings or broken your heart." He was initially concerned that listeners would hear a reference to the Crimea, rather than "..cry me a...", but said that "..sitting down and playing the melody and coming up with lyrics made it a nonissue."[1]
A jazzy blues ballad, "Cry Me a River" was originally written for Ella Fitzgerald to sing in the 1920s-set film, Pete Kelly's Blues (released 1955), but the song was dropped. Fitzgerald first released a recording of the song on Clap Hands, Here Comes Charlie! in 1961. The song was also offered to Peggy King, but Columbia Records A&R chief Mitch Miller objected to the word "plebeian" in the lyric[2] and its first release was by actress/singer Julie London on Liberty Records in 1955, backed by Barney Kessel on guitar and Ray Leatherwood on bass. A performance of the song by London in the 1956 film The Girl Can't Help It helped to make it a bestseller (reaching no. 9 on US and no. 22 on UK charts). It became a gold record, and in 2016, it was inducted by the Library of Congress in the National Recording Registry.[3]
Other recordings include a version by Shirley Bassey on her third album, The Fabulous Shirley Bassey, her debut for Columbia in 1959; Dinah Washington on What A Diff'rence A Day Makes! also in 1959;
2 votes, 0 passes | Time left: Unlimited | |
Julie London | |
1 (50%) |
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Ella Fitzgerald | |
1 (50%) |
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Dinah Washington | |
0 (0%) |
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I can't decide, I like all three versions. | |
0 (0%) |
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0 DU members did not wish to select any of the options provided. | |
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Cry Me a River --- Julie London -vs- Ella Fitzgerald -vs- Dinah Washington (Original Post)
NurseJackie
Apr 2019
OP
It's one of my favorite songs! Yes... a "smoky" voice describes her beautifully.
NurseJackie
Apr 2019
#2
Polly Hennessey
(6,787 posts)1. I like the smokey voice of Julie London.
The song is a beauty. Plus, every word is clear. Wonder how Peggy Lees version would have sounded.
NurseJackie
(42,862 posts)2. It's one of my favorite songs! Yes... a "smoky" voice describes her beautifully.
NurseJackie
(42,862 posts)3. Here are two other versions (Nina Simone and Etta James) that I enjoy too.
nocoincidences
(2,215 posts)4. I love the voices of all of these women.
I think the Julie London version is my preference because my parents had an album on which she sang it that they played a lot, so there is that childhood familiarity with it that give it a special tug at my heart.