Welcome to DU! The truly grassroots left-of-center political community where regular people, not algorithms, drive the discussions and set the standards. Join the community: Create a free account Support DU (and get rid of ads!): Become a Star Member Latest Breaking News General Discussion The DU Lounge All Forums Issue Forums Culture Forums Alliance Forums Region Forums Support Forums Help & Search

Kind of Blue

(8,709 posts)
Tue Mar 13, 2018, 10:26 AM Mar 2018

Rumble The Indians Who Rocked The World

There's a lot of excellent history in this documentary's study of the birth of the blues, jazz and rock. I was hard pressed to find a promotional video that did not skim over or outright remove the importance of African-ness in the creation of American music that the movie reveals. Yet still, I couldn't understand my small dissatisfaction with the film but Jack Hamilton, Slate’s pop critic and assistant professor of American studies and media studies at the University of Virginia, nailed it for me.

Patton discussed below is "Delta blues pioneer Charley Patton, whose grandmother was thought to be Cherokee, is quite simply one of the most important musicians of the 20th century and probably worthy of at least a hundred such films."

"The film doesn't mention the prominence of such musical characteristics in West African traditions, nor does it mention Patton’s well-established influences and mentors such as Henry Sloan and Willie Brown, both of whom were black. Neglecting this context runs the risk of suggesting that Patton’s musical style was acquired through something like biological transmission—an old-fashioned notion, indeed—as well as potentially muddying the still-charged question of whom the black American blues tradition rightly 'belongs' to.

Patton’s segment also illustrates some of the film’s shortcomings, particularly its quixotic and quasi-musicological quest to uncover the Native American 'roots' of modern popular music. This type of sleuthing is always tricky and rarely all that satisfying, and the film’s lengthy theorization that the melismatic style of Patton’s singing and the intricate rhythms of his guitar playing are direct retentions of his Cherokee ancestry feels flimsy at best. Melisma and polyrhythms are common to many musical traditions, including those of the black American South, where Patton spent his life as an itinerant musician under the constant threat of Jim Crow–era racial violence."


The documentary connected a lot of dots for me and I loved it. You can view it on Amazon Prime.


https://slate.com/arts/2017/08/rumble-the-doc-about-indians-and-rock-reviewed.html
2 replies = new reply since forum marked as read
Highlight: NoneDon't highlight anything 5 newestHighlight 5 most recent replies
Rumble The Indians Who Rocked The World (Original Post) Kind of Blue Mar 2018 OP
Very interesting! serbbral Mar 2018 #1
It really is wonderful. Kind of Blue Mar 2018 #2

Kind of Blue

(8,709 posts)
2. It really is wonderful.
Wed Mar 28, 2018, 07:44 AM
Mar 2018

Our truths are so much more exciting and I think lends so much to healing ourselves and within and among communities.

Latest Discussions»Alliance Forums»African American»Rumble The Indians Who R...