First episode introduces a story line involving brutal misogynistic murder. No thanks. Didn’t even finish the first episode. I know many disagree. This is a popular series. Many reviewers found it “edgy.”
I don’t mind stories that include violence and evil — kind of hard to avoid in a murder mystery. But this is in a different headspace, very disturbing with way too much lovingly depicted detail.
On edit -- This reviewer ("Charlotte," posting on netflicks.tv on Oct. 11, 2020) expresses my viewpoint pretty closely:
Charlotte October 11, 2020, 5:20 am
I agree with other reviewers that
Bordertown is an excellently crafted show within the obesely large cliched police crime drama genre with its own version of the flawed but brilliant individualist hero. There is no doubt that it is well-designed to draw you in with enough complexity and variation on this overdone genre to maintain interest (just).
HOWEVER, I found the characters and plot lines shockingly misogynist for this day and age. I kept watching the series in part out of a fascination with whether my initial impression panned out, and it has. So be warned.
While on the surface the characters appear to reflect modern gender equality aspirational norms, it doesn’t take long for the plot-lines and voyeuristic sexual violence to reveal a nasty, aggressive anti-women streak. This show is not some hard-hitting realist depiction about domination and violence lurking in the underbelly of Finnish society, which includes violence against women (as the show would have you believe).
What makes the show sexist and not conciousness-raising or even neutral is: 1) the way it depicts (young) women being assaulted that allows the viewers to adopt the perspective of the dominators and take voyeuristic pleasure in these scenes (more naked women than men of course); 2) the ridiculous proportion of women who are also violent serial assailants (
Midsomer Murders style); and 3) the clear lack of appreciation by the show designers of the trauma that sexual and other kinds of assaults have on people – most of the victims of course being women (another reviewer has already pointed out how remarkable and implausible this is). Moreover, once you recognise this theme of allowing pleasure in women as objects of abuse it then becomes hard not to also notice the inferior roles the female characters play relative to the males in the show – despite a veneer of modernity. Even the tough middle-aged Russian character, Lena, has to be portrayed as a bad, insensitive mother (of course), the female boss is portrayed as bureaucratic, passive and largely useless in relation to detective work whilst deferring to our male hero for solving cases and the wife heroine (read Madonna figure) is of course passive, sickly and largely used as wallpaper to normalise the weirdo hero.
One of the laughably implausible plot-lines is the (nb) ‘flat-chested’, petite, 20-something caring social worker killing all of the primary school classmates who had bullied her at school, one-by-one. Yeah right. Who does that? So as a general technique, the show usually transplants the gendered nature of violence perpetration (whether intimate, acquaintance or strangers) in real life – overwhelmingly male in any country I know – to make it out that women are just as likely, or perhaps even more likely to be perpetrators of serious criminal violence. Now what would be the point of that? That is not realism. It is either plain
Midsomer Murders laziness (don’t know how to make reality interesting) or the show designers really truly would like to believe that violence is not gendered and/or has nothing to do with toxic masculine sub-cultures (which we all suffer from, including males) but rather some psychologised BS about some universal deranged behaviour response. Good 'ole psychology of course has a lovely large archive of such tricks. Curious to know what others think.
- source: https://www.nextflicks.tv/review/bordertown/ (scroll down to see comments)