African American and Latinx patrons frequented the Stonewall Inn heavily and thus comprised the largest percentage of protestors on the first night of the riots. For homeless youth and young adults who slept in nearby Christopher Park, the Stonewall Inn was a stable domicile – and its being raided was nothing new.
In the 1960s, gay bars in the Village were routinely raided. As one commenter on T-VOX, an LGBTQ+ support forum, noted, “Race is said to have been another factor. The decision by the police to raid the bar in the manner they did may have been influenced by the fact that most of the ‘homosexuals’ they would encounter were of color, and therefore even more objectionable.”
In the ’60s, riots between white police officers and black citizens took place in our neighborhoods, just as they still do today: Ferguson, 2014 (Michael Brown); Baltimore, 2015 (Freddie Gray); Louisiana, 2016 (Alton Sterling); Minnesota, 2016 (Philando Castile), to name a few.
On the first night of Stonewall, many of us who went to the Village did so to retrieve our loved ones and leave. It takes white privilege to fight the police, expect to walk away alive, and create a hagiographical narrative of white heroism.
Roland Emmerich’s 2015 film “Stonewall” spurred both shock and disappointment in moviegoers, historians, and LGBTQ activists, including myself. The film failed to depict an accurate story, and in its place presented a revisionist history. Emmerich apparently felt a more captivating narrative should center around a blond, blue-eyed, “straight-acting” Midwestern protagonist, likely in order to appeal to mainstream audiences.
“I didn’t make this movie only for gay people, I made it also for straight people,” Emmerich told Buzzfeed. “As a director, you have to put yourself in your movies, and I’m white and gay.”
In doing so, Emmerich’s doppelganger, Danny, reinscribes the trope of the white savior and action hero. Danny throws the first brick, setting off the riots while shouting “GAY POWER!”. Even though in real life, the shakers, movers, and brick throwers were poor and working-class black and Latinx LGBTQs.
I was disturbed by Emmerich’s “Stonewall”—not only because of its whitewashing, but also because of the enduring nature of this revisionist history.
Still today, trans communities of color are relegated to the margins of Greenwich Village. Nonetheless, many force their way in to become a visible and influential presence in our lives, leaving indelible imprints despite being confronted with transphobia and “trans-amnesia.”
The white-dominant control of the Stonewall narrative, meanwhile, must relinquish its hold to give way to a broader truth.
https://www.lgbtqnation.com/2019/06/story-stonewall-bleached-know/
