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Reply #38: Nope. Campbell v. Acuff Rose Music [View All]

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Romulox Donating Member (1000+ posts) Send PM | Profile | Ignore Fri Apr-25-08 10:15 AM
Response to Reply #19
38. Nope. Campbell v. Acuff Rose Music
2 Live Crew's "parody" version of Roy Orbison's "Pretty Woman" was held to be a non-infringing fair use notwithstanding the commercial nature of the work.

Held: 2 Live Crew's commercial parody may be a fair use within the meaning of §107. Pp. 4-25.

(a) Section 107, which provides that "the fair use of a copyrighted work . . . for purposes such as criticism comment . . . is not an infringement . . . ," continues the common law tradition of fair use adjudication and requires case by case analysis rather than bright line rules. The statutory examples of permissible uses provide only general guidance. The four statutory factors are to be explored and weighed together in light of copyright's purpose of promoting science and the arts. Pp. 4-8.

(b) Parody, like other comment and criticism, may claim fair use. Under the first of the four §107 factors, "the purpose andcharacter of the use, including whether such use is of a commercial nature . . . ," the enquiry focuses on whether the new work merely supersedes the objects of the original creation, or whether and to what extent it is "transformative," altering the original with new expression, meaning, or message. The more transformative the new work, the less will be the significance of other factors, like commercialism, that may weigh against a finding of fair use. The heart of any parodist's claim to quote from existing material is the use of some elements of a prior author's composition to create a new one that, at least in part, comments on that author's work. But that tells courts little about where to draw the line. Thus, like other uses, parody has to work its way through the relevant factors. Pp. 8-12.

http://www.law.cornell.edu/supct/html/92-1292.ZS.html
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