The RIAA vs. The World
Tuesday, 09 October 2007
by David Rovics
The Recording Industry Association of America (RIAA), representing massive multinational corporations with tentacles in every corner of the global economy including the music business, has just won a lawsuit against a mother of two who refused to be pushed around. Jamie Thomas’ pockets were not nearly deep enough to mount the kind of legal defense for the occasion, but she rightly thought that paying an out-of-court settlement of several thousand dollars for the “crime” of sharing music online was ridiculous. So she told the RIAA they’d have to take her to court. They did, and they won.
The fact that one of these cases actually went to trial, the amount of money involved, and the fact that the defendant could have been your neighbor, a middle-aged single mother of two who was not selling anything, but was just engaging in commonplace song-swapping via Kazaa’s peer-to-peer network, has made this case newsworthy. But what lies beneath it are the ever-growing tens of thousands of people who have been spied upon, harassed and threatened with lawsuits if they didn’t pay the RIAA thousands of dollars for sharing copywritten music in a way the RIAA, the US government, the World Trade Organization, etc., deem inappropriate.
In spite of the RIAA’s campaign to staunch the profit losses of it’s corporate members by waging a campaign of fear and intimidation against your average everyday music fan, the numbers of legal and “illegal” downloads continue to rise rapidly. However, the industry’s campaign is not just about robbing working class American music fans of hundreds of millions of their hard-earned dollars. The music industry is waging a war for the hearts and minds of the people of the US and the world, spending tremendous amounts of money on advertising campaigns to convince us of the rightness of their cause and the wrongness of our actions.
The RIAA is both powerful and desperate. They are a multibillion-dollar industry that has been “suffering” financially for years, and they are up against the very nature of the internet – that being peer-to-peer sharing of information in whatever form (stories, songs, videos, etc.). The internet has given rise to unprecedented levels of global cultural cross-pollination, and it has led to a democratization of where our news, information, music, etc., comes from that has not been seen since the days of the wandering troubadors who went from town to town spreading the news of the day.
The RIAA is trying to use a combination of the law, financial largesse, and encryption and other technologies to try to reassert their dominance over global culture. But perhaps most importantly, they are trying to reassert the moral virtue of their position, the rightness of their positions vis-a-vis the concept of intellectual property and the notion that the fear campaign they’re engaged in somehow benefits society overall and artists in particular.
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http://www.atlanticfreepress.com/content/view/2593/81/