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I've been mostly a symphonic type, but the Xmas music of PAVAROTTI et al., certainly grabs me. I'm not a TOTAL ignoramus, O.K.?
I just finished reading a bio of my ever idol TCHAIKOVSKY, and have never heard The Queen of Spades or Eugene ONEGIN, O.K.?
But there are more top of the line things I should hear before I check out, O.K.?
(I'm not planning on checking out soon because I don't know my schedule, O.K.? Just want to do the whats-it-all-about NEAR-end-summary- thing, O.K.?)
So, BIZET's Carmen was and will be my forever thing, as for Pyotr. ROSSINI is one of my all timers, O.K.?!1
So here's my plan: I know Don Giovanni is a major deal. After that, wherever "Nessum Dorma" came from, I'm THERE!1, O.K.?!1
I've looked up Wiki and want a list of the Top 10 operas, maybe the next Top 20, and my plan is to get DVDs and play all of these danged things in the background while I do DU and start to LIMIT DU while I sum up the rest of My Life for my life, O.K.?!1
So, below are a couple of paragraphs from Wiki on the topic of "opera." You can forgit GLUCK and all of those early dudes. I'm starting with Wolfie. Also, you can forget about WAGNER, O.K.?!1 We're going from MOZART into the Italian jobs.
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Opera started in Italy at the end of the 16th century (with Jacopo Peri's lost Dafne, produced in Florence around 1597) and soon spread through the rest of Europe: Schütz in Germany, Lully in France, and Purcell in England all helped to establish their national traditions in the 17th century. However, in the 18th century, Italian opera continued to dominate most of Europe, except France, attracting foreign composers such as Handel. Opera seria was the most prestigious form of Italian opera, until Gluck reacted against its artificiality with his "reform" operas in the 1760s.
Today the most renowned figure of late 18th century opera is Mozart, who began with opera seria but is most famous for his Italian comic operas, especially The Marriage of Figaro, Don Giovanni, and Così fan tutte, as well as The Magic Flute, a landmark in the German tradition.
The first third of the 19th century saw the highpoint of the bel canto style, with Rossini, Donizetti and Bellini all creating works that are still performed today. It also saw the advent of Grand Opera typified by the works of Meyerbeer. The mid-to-late 19th century was a "golden age" of opera, led and dominated by Wagner in Germany and Verdi in Italy. The popularity of opera continued through the verismo era in Italy and contemporary French opera through to Puccini and Strauss in the early 20th century.
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