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July 10, 1968 – Eric Clapton announced that Cream were breaking up

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Amerigo Vespucci Donating Member (1000+ posts) Send PM | Profile | Ignore Mon Jul-11-11 06:17 PM
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July 10, 1968 – Eric Clapton announced that Cream were breaking up
July 10, 1968 – Eric Clapton announced that Cream were breaking up



Rock’s original supergroup cut ties after only two years together. Yet despite their brief tenure, the power trio left formidable influence over all blues-rock bands to follow: singer/bassist Jack Bruce, guitarist/singer Eric Clapton, and drummer Ginger Baker sold over 15 million records while together, and their soulful riffs (fed through the now-ubiquitous wah-wah pedal) paved the path for Led Zeppelin, the Allman Brothers, the White Stripes and many more psychedelic/blues acts.

Cream’s stadium-ready bend on traditional blues led them to the top of the charts throughout their short career: "Crossroads," "Sunshine of Your Love," and "I Feel Free" were runaway successes in both their native England and also the United States. Their band name was derived, immodestly but not inaccurately, from the players’ belief that they represented the "cream of the crop" of the prominent British acts they’d left behind (as well as young musicians in general): prodigal six-stringer Clapton was previously in the Yardbirds, Baker came from the Graham Bond Organisation, and Bruce was in Manfred Mann.

But shared blues-rock idolatry couldn’t keep Baker and Bruce from arguing savagely; their creative and personal rivalry exhausted Clapton, who once stopped playing while onstage with them (and as he suspected, neither bandmate noticed). Clapton privately considered disassembling the band for a year before they all agreed to split during a contentious May 1968 tour of the United States.

Cream played their final show on November 26 at London’s Royal Albert Hall. In 2005, with a few decades of solo records and drug-addled misadventures under their belts, the trio reunited for a string of shows at the same theater.

http://www.rollingstone.com/music/news/this-week-in-rock-history-madonna-nude-pics-surface-20110711
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Bake Donating Member (1000+ posts) Send PM | Profile | Ignore Tue Jul-12-11 09:13 AM
Response to Original message
1. Get the Cream Farewell concert, and then watch the reunion concert.
Each one a MASTER of his instrument. How they got that much sound from three instruments still amazes me.

BTW: Rush, eat your hearts out. THIS is what a power trio is supposed to be!

Bake
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TZ Donating Member (1000+ posts) Send PM | Profile | Ignore Tue Jul-12-11 09:57 AM
Response to Reply #1
2. Hey Bake, stepfather is a drummer and once played WITH Cream
(no Eric Clapton that night though) loves Cream, respects Rush greatly. I like Cream but I would classify their music as more bluesy rock quite different from power rock/progressive rock that Rush plays.
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Bake Donating Member (1000+ posts) Send PM | Profile | Ignore Tue Jul-12-11 10:00 AM
Response to Reply #2
3. Without Clapton there is no Cream.
But still a cool gig!

Rock by definition comes from the blues. I don't even know what to call the abomination that is Rush ...

:rofl:

Bake
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TZ Donating Member (1000+ posts) Send PM | Profile | Ignore Tue Jul-12-11 10:02 AM
Response to Reply #3
4. I actually find Cream's sound to be closer to some of the Bluesy country I like
Like Delbert McClinton than Prog Rock...
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Bake Donating Member (1000+ posts) Send PM | Profile | Ignore Tue Jul-12-11 10:11 AM
Response to Reply #4
5. So you DO have some taste!
Loves me some Delbert! Standin' on shaky ground!

:hi:

Bake
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TZ Donating Member (1000+ posts) Send PM | Profile | Ignore Tue Jul-12-11 10:24 AM
Response to Reply #5
6. Loves me some LeRoy Parnell as well.
Great guitarists, both.
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Bake Donating Member (1000+ posts) Send PM | Profile | Ignore Tue Jul-12-11 10:25 AM
Response to Reply #6
7. Okay, all is forgiven!
Well, MOST is forgiven ...

:hug:

Bak
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Amerigo Vespucci Donating Member (1000+ posts) Send PM | Profile | Ignore Tue Jul-12-11 10:26 AM
Response to Reply #1
8. Yes, I've seen both...
...and if you listen to post-"melodic" Miles or Coltrane, Cream did what they did...got on stage and just ripped.

Same for John McLaughlin's post-Miles work in Mahavishnu Orchestra. They had the same problem as Cream, too...they were all skilled on their instruments but over time ego and infighting added up to a battle on stage to see who'd be "king of the hill." Robert Fripp has written about a similar dynamic in the Fripp-Wetton-Bruford era of King Crimson.

I like tight little pop songs like "Sunshine of Your Love," but I also like the "Wheels of Fire" version of "Spoonful"...and while I favor the second volume of "Live Cream" over the first, they both offer some pretty powerful extended soloing.

But the truth of the matter was that Clapton read a review of a Cream concert in Rolling Stone in which the band was basically described as wankers. It made him reconsider the extended jam versus the formal 3 and 4 minute song structure, especially when he heard The Band's 1968 masterpiece "Music From Big Pink." He's referenced that many times as a game-changer in his career.

Clapton's induction speech for The Band at the Rock & Roll Hall of Fame:



"Thank you. I want to talk about what it was like to be a musician - a serious musician who couldn't be in the Band. And that was tough, that was hard. I remember being on tour in about '66 or '67 with a band called the Cream, and we thought we were the bee's knees, you know? And I met this guy... I knew this man in L.A. who was an entrepreneur of different sorts of things, and he had a tape by a band called the Crackers, and he lent it to me, and I took it on the road with me, and it became my drug. When we would get to the end of a gig, Jack and Ginger would go off and do their stuff, and I'd put this tape on. And I'd go into another world. And it was my kind of release. For someone like me, who had been born in England, like Elton was talking about, and worshiped the music from America, it was very tough to find a place to belong in all this - and this band that I was listening to on this tape had it all. They were white, but they seemed to have derived all they could from black music, and they combined it to make a beautiful hybrid. And for me it was serious. It was serious, and it was grown up, and it was mature, and it told stories, and it had beautiful harmonies, fantastic singing, beautiful musicianship without any virtuosity. Just economy and beauty. And I wanted to be in the band. So I went and told Jack and Ginger that I couldn't go on anymore. There was something else happening that I had to bow out of because. And I went - Robbie and the boys will never know this - but I went to visit the Band in Woodstock, and I really sort of went there to ask if I could join the band. I mean, I didn't have the guts to say it - I didn't have the nerve. I just sort of sat there and watched these guys work. And I remember Robbie saying, "We don't jam. We don't jam, so there's no point in sitting here and trying to, you know... We just write and work." And I was very impressed, you know? And from that day, I spent the rest of my career - until The Last Waltz, anyway - trying to find ways to imitate what they had. And it was an impossible dream, really, because from where I came from, and from where they came from, completely different worlds. But it was something to do with a principle that I got from what they did, which was integrity. Integrity and a standard of craft that really didn't bow down to any kind of commerciality, and I really identified with that, and I adored it. At the same time, it was very hard; it was very hard to sort of make my way and not be part of it, until The Last Waltz, and in some respects, I was very relieved with The Last Waltz, because it meant that there wasn't a band that I wasn't a part of anymore, you know? And I could just go on and be me, and it was all right. But at the same time, when The Last Waltz happened, it was a tragic thing, because as much as they may have reached the end of their journey, there were no more records. I couldn't go to the store and buy a Band album, and have my life transformed by listening to it. And it's been a long journey since then without their sort of guidance, because I always kind of looked up to them as older brothers in the music world. But at the same time, they've always been there in spirit. And I go back, and I listen to old records all the time. In fact, most of the time I listen to old blues and old records by people like the Band. And I think it's a long time since they were really honored and put together, and as it was last year with me and Cream, it's a beautiful thing to have a reunion if we can, and get together and rejoice in the gift that we've been given, which is music. Tonight, I'm very happy to induct the Band into the Rock and Roll Hall of Fame."

http://rockhall.com/inductees/the-band/transcript/eric-clapton-inducts-the-band/
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masonjason22 Donating Member (22 posts) Send PM | Profile | Ignore Tue Jul-12-11 11:04 AM
Response to Original message
9. All good things...
I still believe that Clapton was the force behind the whole band.
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Kat45 Donating Member (1000+ posts) Send PM | Profile | Ignore Tue Jul-12-11 09:59 PM
Response to Original message
10. I think Baker and Bruce STILL don't get along.
Too bad. Cream was a great band!
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