Firstly, the arts NEED public funding. How else is a country going to discover, and benefit from, new artists, some of which will be more political. If it is all private, all you will get is the wealthy commissioning artists for flattering portraiture. That's a simplification, but without a way for up and coming artists (ie. broke) to be seen and heard, its impossible. So if that is agreed then we move to the second point.
We should have an arms length policy to any Art Grant program. Otherwise the government of the day can, and will, interfere and use the agency for propaganda purposes. Or at the very least, deny any overtly controversial artist that may put them in a bad light. So lets move on to point three.
I suppose one has to first agree that free expression of a country's artists is important, but if one agrees with the first two points, then how can one say "no taxpayer money for THIS piece, but another more to my taste is ok" Grants should be left up to a council made up of other artists or administrators from the arts community.
I think Cenk is confusing a hand drawn thoughtful art piece with his particular reaction to the piece.
Personally I think they are important powerful pieces. One reason is that the artist is reflecting a lot of peoples secret desires. Not that most people would go through with it, but as a fantasy.
And it is a fantasy because these powerful people he puts in the line of fire, are basically untouchable, because of their wealth and position. So he makes them vulnerable, if only on paper. I think it speaks out of frustration of that increasing gap between the rich and the poor, in that those on the lowest rungs will never have a voice, so he depicts the ultimate act of insubordination to the elite class.....depicts it only. But its interesting that even the act of depicting such violent insubordination, is so naturally abhorrent to view, even to me. But that's what makes it so powerful.