Xipe Totec posted her song here, "Gracias a la Vida" here, as it was sung by Violeta Parra. That was the first time I've ever heard of her, and later learned she was a good friend of Victor Jara, who was tortured and murdered in Chile by Pinochet's military at the Chile Stadium in Santiago. They were both considered "protest" singers during the dark, violent years of the right-wing military juntas and dictatorships, and Operation Condor, all supported by the U.S., unfortunately.
You may remember hearing and seeing Paraguay's new President Fernando Lugo singing, with Hugo Chavez a song by Mercedes Sosa, "Todo Cambia." It was posted here by Peace Patriot.
Here's the video:http://www.youtube.com/watch?v=0E8FLkZZB_8Here's her voice singing "Todo Cambio"http://www.youtube.com/watch?v=hf2cnIDyKL8Also Xipe Totec posted her song here, "Sólo le Pido a Dios" by León Gieco:
http://www.youtube.com/watch?v=zncwEGxjhEEHere's her voice singing "Sólo le Pido a Dios"http://www.youtube.com/watch?v=SIrot1FlczgMonday, Mar. 30, 2009
Mercedes Sosa hospitalized with pneumonia
The Associated Press BUENOS AIRES, Argentina -- Famed Argentine folk singer Mercedes Sosa has been hospitalized with pneumonia.
Fabian Matus, Sosa's son, says the singer was brought to a hospital after suffering from a fever and dehydration.
The illness forced 73-year-old Sosa to suspend the presentation of her latest album "Cantora," which she recorded with musical artists including Shakira, Julieta Venegas, Caetano Veloso and Vicentico, among others.
The folk singer has recorded more than 70 albums. Her signature song is "Gracias a la vida," or "Thanks to Life."
http://www.kentucky.com/524/story/744735.htmlhttp://3.bp.blogspot.com.nyud.net:8090/_jUxwDJ1Xzc0/SB6on9C3LaI/AAAAAAAACzw/27olO1oRqcs/s400/Canta%2BMercedes%2BSosa.jpg http://latimesblogs.latimes.com.nyud.net:8090/photos/uncategorized/2007/12/11/fernandez.jpg
http://www.youtube.com/watch?v=WyOJ-A5iv5I
You Tube, Mercedes Sosa, "Gracias a la Vida"
Violetta Parra, singing "Gracias a la Vida"
http://www.youtube.com/watch?v=UW3IgDs-NnA
Placido Domingo, singing "Gracias a la Vida"
http://www.youtube.com/watch?v=OWJHayBAh-EMercedes Sosa: A Voice of Hope
By LARRY ROHTER
Published: Sunday, October 9, 1988
~snip~
Ms. Sosa acknowledges that ''human and social problems'' are a primary source of artistic inspiration for her. ''Politics has always been an idealistic thing for me,'' she said. ''I am a woman of the left, though I belong to no party and think artists should remain independent of all political parties. I believe in human rights, injustice pains me, and I want to see real peace.'' But she balked at another term often used to describe her, that of a singer of songs of protest.
''I do not like that term,'' she said in an interview after a performance here last weekend, in which she and the electrified quartet accompanying her also showed a willingness to assay jazz and pop styles. ''It is like an invitation for someone to put a stamp on the songs that says 'prohibited' or 'interdicted.' The intelligence of the artist needs to be broader in the face of such possible barriers. Besides, artists are not political leaders. The only power they have is to draw people into the theater.''
Ms. Sosa's caution about the way her music is categorized derives from her own tribulations in Argentina. Exactly a decade ago, at the height of the military dictatorship responsible for the disappearance and deaths of at least 9,000 people, Ms. Sosa, already recognized as her country's premier singer of folk music thanks to records such as ''Homage to Violeta Parra'' and ''Mercedes Sosa Interprets Atahualpa Yupanqui,'' was the object of a campaign of official harassment and intimidation that led to her having to leave the country.
During a performance in the resort town of La Plata, Ms. Sosa had just launched into ''When They Have the Land,'' a call for agrarian reform that is still in her repertory today, when security forces suddenly appeared at the window of the concert hall. Almost before she knew it, troops had barged in to interrupt the show and she was under arrest, along with the musicians in her band, her son and the entire audience that had come to hear her sing.
''A policeman conducted a body search right there, touching me on the breasts in front of all those people just in order to humiliate me,'' she said recalled the other day. ''I remember that I was wearing a beautiful poncho of sky blue and white, the very colors of the Argentine flag, but that it did not deter him. Then, when he was finished, he kissed my hand and said, 'Forgive me, Dona Mercedes, but they have ordered me to do this.' ''
Released after being held for questioning, Ms. Sosa was determined not to let herself be intimidated, and immediately scheduled several new shows, which rapidly sold out. But anonymous bomb threats forced cancellation of the concerts, and then the military governor of Buenos Aires prohibited any further performances. With her music already barred from radio and television, it was clear that her career in her homeland had come to a halt, at least as long as the military remained in power.
''I do not pretend that I was saintly in my attitude,'' she said. ''Scheduling those shows was a way for us to push against the games of the dictatorship. I don't know why I thought I could win a struggle like that in a country in which so many people had been killed, but I tried.'' Deprived of her livelihood and recently widowed, she felt she could not remain in Argentina ''as some sort of decoration or ornament for the left. My work is to sing, my life is to sing.'' And so she left for Europe in January of 1979.
More:
http://www.nytimes.com/1988/10/09/arts/mercedes-sosa-a-voice-of-hope.html