A Japanese Artist Launches Plants Into Space

[rug]

For his Exobiotanica project, the artist Azuma Makoto sent two pieces of botanical matter into the stratosphere, including a 50-year-old bonsai pine from his personal collection. Azuma Makoto

By PAULA DE LA CRUZ
July 18, 2014 9:00 am
July 18, 2014 5:41 pm

“Flowers aren’t just beautiful to show on tables,” said Azuma Makoto, a 38-year-old artist based in Tokyo. His latest installation piece, if you could call it that, takes this statement to the extreme. Two botanical objects — “Shiki 1,” a Japanese white pine bonsai suspended from a metal frame, and an untitled arrangement of orchids, hydrangeas, lilies and irises, among other blossoms — were launched into the stratosphere on Tuesday in Black Rock Desert outside Gerlach, Nevada, a site made famous for its hosting of the annual Burning Man festival. ”I wanted to see the movement and beauty of plants and flowers suspended in space,” Makoto explained that morning.

To accomplish this mission, titled Exobiotanica, Makoto and his 10-person crew teamed with Sacramento-based JP Aerospace — “America’s Other Space Program” — a volunteer-based organization that constructs and sends vessels into orbit. JP’s owner and founder, John Powell, started launching things into the upper atmosphere in 1977, when he was still a teenager. “The best thing about this project is that space is so foreign to most of us,” says Powell, “so seeing a familiar object like a bouquet of flowers flying above Earth domesticates space, and the idea of traveling into it.”



The expedition started in the dead of night, at 2 a.m. One hour later, Makoto was already building a bouquet with about 30 varieties of flowers. He started with an aerial plant tied to a six-rod axis and studiously added peace lilies, poppy seed pods, dahlias, hydrangeas, orchids, bromeliads and a meaty burgundy heliconia. “I am using brightly colored flowers from around the world so that they contrast against the darkness of space,” he said. The scent of the flowers was stronger and more concentrated in the dry desert breeze than in their humid, natural environments, and the launch site was redolent with their perfume. Makoto worked quietly, until the metal rods were covered completely with plants. Then he directed his attention to his bonsai. For this particular project, Makoto chose a 50-year-old pine from his collection of more than 100 specimens, and flew it over from Tokyo in a special box. While readying it for space, he kept it moist and removed a few brown needles with a tweezer.

Using Styrofoam and a very light metal frame, Powell and his volunteers had created two devices to attach the bonsai and the flowers, which would launch separately. JP’s volunteers and Makoto’s team worked to calibrate still cameras, donated by Fuji Film for this project, and six Go Pro video cameras tied in a ball that would record the trip into the stratosphere and back in 360 degrees. There were two different tracking systems on each device, one a Spot GPS tracker that would help locate the vessel once it fell down back to Earth, and the other that recorded altitude and distance traveled from the launch site. A radio transmitted the data to a computer array in a van. While the crew waited, Makoto took a red carnation, drilled a hole in a crack of the arid, sandy soil and planted it there. It was his nod to the huge red sun that had started to come up. The Exobiotanica team posed for photos. None of them had ever seen a landscape like this.



http://tmagazine.blogs.nytimes.com/2014/07/18/flowers-in-space-azuma-makoto-exobiotanica/?_php=true&_type=blogs&_r=0

http://azumamakoto.com/?p=5051

Gaza and the Ukraine are still there, but for a moment there were flowers and leaves on the edge of space.

[Hekate]

1. A smile.....