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Related: Culture Forums, Support ForumsThe Velveteen Ocelot
(115,693 posts)politicat
(9,808 posts)True story: I was a terribly cranky baby for the first 5 months. My poor mother, grandmother and great-grandmother were at their wits' ends with me, certain something was horribly wrong. Put me to bed with the radio, I'd cry. With the record player (I was born in the 70s), wails. Car radio? Screams. Getting me to sleep took acts of god and congress.
A cousin needed to listen to some music for class, and since my great-grandparents had the best stereo in the family, he brought over the Bach and Beethoven and Tchaikovsky. Mom was running late getting me out of the house (since the then working theory was that I didn't like music at all) and Cuz was about 6 weeks behind on his paper, so he did what any teenager does and cranked the volume. On the 1812. And suddenly, they had a very happy baby. Who was giggling at the cannons and waving at the strings. Apparently, none of my family can abide the 1812 now because they used it for a year as bedtime music. But they also had a very sunny, easy baby who bounced to bass and learned to walk by reaching for the volume knob. I still use the 1812 on repeat when my insomnia drugs don't work. (Though I now prefer a really interesting extended electronic remix.)
It took them all several years and lots of experiments to figure out that I really didn't like *their* music -- and their music was 70s era C&W, bluegrass, and Elvis gospel. My mother's flirtation with rock ended with the Beatles, and it was never very serious, so it took many, many years for me to figure out for myself that I cannot abide a specific chord progression common in those genres. It is like fingernails on a blackboard for me and literally hurt my ears. (It's clearly something in my brain, since I never heard anything else in utero or infancy.) I have to be careful even with folk and folk-punk.
On the other hand, I didn't flirt with rock, I took it into the backseat with me and I married classical. I fell deep for electronic pop when I was 7, went deeply punk and goth when exposed, and the closest I come to a religious experience is an electronic dance festival or front row by the cellos at the symphony.
Babies are little, not stupid. They know what works for them.
(Turns out, one of my nephews has the same quirk, though his talisman piece is the 9th when cranked to 11 and on the "deep bass" equalizer setting.)
eppur_se_muova
(36,262 posts)Features cannon *and* muskets. I remember my dad playing this at top volume, while my sister and I would jump up and down on the bed like a trampoline ...
politicat
(9,808 posts)To hear them talk about it, my infant musical tastes were torture. (Adult, too, but I can keep it at home more.) They really didn't explore much beyond the Reader's Digest Greatest Hits of Classical (and considered the Big Five pretty harsh punishment.) They like their music participatory -- either voice or instrument -- and I think they found Enlightenment and Romantic just inaccessible.
However, thanks for the reminder -- I've got nieblings coming soon, and I think they'll love Wellington's Victory.
lame54
(35,290 posts)politicat
(9,808 posts)LynneSin
(95,337 posts)Having your child bop along to lyrics like 'I want to F*** you like an animal' doesn't seem right at all!
lame54
(35,290 posts)especially that
Initech
(100,075 posts)But I bet Ghosts I-IV would make for some good sleep music.
whistler162
(11,155 posts)but so would any sized nail! OUCH!!!!!!
avebury
(10,952 posts)orleans
(34,051 posts)irisblue
(32,974 posts)The name of the electronic version of 1812 overture.
politicat
(9,808 posts)Because I'm a geek that way:
This is my favorite : https://soundcloud.com/brenodecamargo/tchaikovsky-abertura-1812 (more ambient, still a bit rough as performance, but listenable.)
This is 2, because it's a higher energy and has some disco ethic that gets a bit weird, but uses it well: https://soundcloud.com/alan-pacheco-lopez/tchaicovsky-1812-overture
Short Ambient:
https://soundcloud.com/tropiques/1812-overture-interpretation
And because I am a total geek who spends a lot of time thinking how to replicate electronic/complex sounds on simpler, analog instruments, I have huge affection for this drumline version:
https://soundcloud.com/mklynass/1812-overture-arranged-mason
There aren't a lot of electronic versions, I think in part because it's such a complicated piece. Sure, it's all arpeggios, but they're fast and layered.