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Marisa Tomei for 'My Cousin Vinny' Is the Rare Perfect Oscars Win
https://www.thedailybeast.com/obsessed/my-favorite-oscars-win-marisa-tomei-for-my-cousin-vinny(audio, video at link)
Marisa Tomei for ‘My Cousin Vinny’ Is the Rare Perfect Oscars Win
On the 30th anniversary of Tomei’s shocking Oscars upset, we remember what it was that made her victory so controversial—and why it was so deserved.
Kevin Fallon
Senior Editor, Obsessed
Published Mar. 09, 2023 4:13AM ET
The only thing that’s better than the perfect acting performance? The perfect Oscars win.
It happens less often than you’d think—as in, almost never. In fact, it’s so rare that, in one of the only cases of it happening, decades of conspiracy theories and industry legend surround it.
Marisa Tomei’s performance as Mona Lisa Vito in My Cousin Vinny is one of the few times it’s both earned and acceptable to call something “iconic.” She crafted a riotously dynamic character and calibrated an exactly right blend of silly, serious, and scene-stealing; it’s memorable, while never pulling focus away from the narrative.
In fact, the climax of the film, a Cinderella story by way of legal comedy, hinges upon her. She nails every beat of her courtroom testimony, pulling off the magic act of embodying a comedy cliché—the exaggerated, ditzy Italian-American—to crowd-pleasing effect, while subverting expectations at the same time. Who else only knows what “positraction” is because of this performance?
[...]
On the 30th anniversary of Tomei’s shocking Oscars upset, we remember what it was that made her victory so controversial—and why it was so deserved.
Kevin Fallon
Senior Editor, Obsessed
Published Mar. 09, 2023 4:13AM ET
The only thing that’s better than the perfect acting performance? The perfect Oscars win.
It happens less often than you’d think—as in, almost never. In fact, it’s so rare that, in one of the only cases of it happening, decades of conspiracy theories and industry legend surround it.
Marisa Tomei’s performance as Mona Lisa Vito in My Cousin Vinny is one of the few times it’s both earned and acceptable to call something “iconic.” She crafted a riotously dynamic character and calibrated an exactly right blend of silly, serious, and scene-stealing; it’s memorable, while never pulling focus away from the narrative.
In fact, the climax of the film, a Cinderella story by way of legal comedy, hinges upon her. She nails every beat of her courtroom testimony, pulling off the magic act of embodying a comedy cliché—the exaggerated, ditzy Italian-American—to crowd-pleasing effect, while subverting expectations at the same time. Who else only knows what “positraction” is because of this performance?
[...]
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